авангард, нео-авангард
алтернативен начин на живот и съпротива в всекидневието алтернативни форми на образование
визуални изкуства
движение за защита на човешките права
движения за мир
демократична опозиция
емиграция/изгнание
етническо движение
женско движение защита на околната среда
изобразително изкуство критична наука
литература и литературна критика
малцинствени движения медии
младежка култура музика надзор, наблюдение народна култура
научна критика национални движения
независима журналистика
отказ от военна служба
оцелели след преследвания при авторитарни / тоталитарни режими партийни дисиденти
популярна култура
религиозен активизъм
самиздат и тамиздат социални движения
студентско движение
театър и сценични изкуства
филм философски / теоретични движения
цензура ъндърграунд култура
артефакти
видео записи
графика
други други произведения на изкуството
звукови записи
карикатури
картини лична документация
мебели
музикални записи
облекло
правна и / или финансова документация приложно изкуство
публикации ръкописи сива литература
скулптури
снимки техническо оборудване
филм
The digital photography collection of Harald Hauswald was acquired at the end of 2017 by the Federal Foundation for the Reappraisal of the SED Dictatorship. It represents a valuable collection from one of the most significant photographers from the GDR. Hauswald’s snapshots from everyday life in East Berlin provide insight into a bygone era, and which acquired public acclaim and support following the toppling of the regime in 1990. The current collection is in the process to be expanded and by the end of 2019 is expected to include the photographer’s entire life work in digitalized form.
The breakdance movement emerged in the GDR in the 1980s. The private collection of Heiko Hahnewald represents one of the largest repositories of materials concerning this movement and provides insight into how breakdance culture found its place within the confines of life in the GDR as well as its continued development after 1990.
The Rock Museum was established in 2014 as a grassroots initiative by former musicians, experts, and collectors. The museum is the first collection in Hungary that presents documents and items of importance to the Hungarian rock and popular music scene (with an international and primarily regional focus) from the late 1950s to the present. Generally, the phenomenon of rock music under state socialism is considered a form of cultural resistance.
The unique resource value of the collection stems from the historical fact that the continuity of Hungarian scouting established in 1910 was in fact maintained by the émigré Hungarian scouting movement worldwide for more than four decades, from 1948 to 1989, in a period when it was prohibited in communist Hungary. According to Hungarian émigré scout leaders, the movement was intended to serve a two-front struggle of cultural resistance: on one hand against the official forgery of “the real” national heritage in communist Hungary; and on the other against the linguistic and cultural assimilation of Hungarian émigré youth within the multi-ethnic environment of some 20 countries of 4 continents worldwide.