алтернативен начин на живот и съпротива в всекидневието алтернативни форми на образование
движение за защита на човешките права
движения за мир
женско движение защита на околната среда
изобразително изкуство критична наука
литература и литературна критика
малцинствени движения медии
младежка култура музика надзор, наблюдение народна култура
научна критика национални движения
отказ от военна служба
оцелели след преследвания при авторитарни / тоталитарни режими партийни дисиденти
самиздат и тамиздат социални движения
театър и сценични изкуства
филм философски / теоретични движения
цензура ъндърграунд култура
други други произведения на изкуството
картини лична документация
правна и / или финансова документация приложно изкуство
публикации ръкописи сива литература
снимки техническо оборудване
Artistic Archive of the Studio Theatre and the Jerzy Grzegorzewski Section contain all the materials created by the theatre group since 1972 until today (the archives created before 1972 are deposited at the Zbigniew Raszewski Theatre Institute in Warsaw). This collection is a unique testimony of how the theatre functioned in the 1970s and the 1980s, trying to stay artistically and politically independent in the times of great cultural divisions in Poland. Especially the documents from the 1980s, during Jerzy Grzegorzewski's mandate as a director of the Theatre, provide a particularly interesting overview of the life of the institution at that point. Each play has its own dossier, containing different versions of scripts, notes of the theatre group, as well as video and audio recordings, which give an insight into the process of working on domestic and foreign plays at the dynamic times of political transformations and the martial law in Poland.
Launched as part of the cultural politics of the time, the Studio was founded in 1958, as the youth section of the Art Fund, as an institution to further the professional integration of recently graduated visual artists. The studio was dependent on the mother institution financially and bureaucratically, but it enjoyed partial autonomy through its elected board members. A unique rule – the upper age limit of 35 years – ensured the continuous revitalization of membership. Beginning in the 1970s, autodidacts were also admitted as members, which made it possible to integrate outsiders into the official artistic milieu, thus breaking the hegemony of the academy. This also meant an expansion of the accepted ways of working. The collection, which contains primarily the works of former members, illustrates the conflicts of artistic autonomy and centralized cultural politics so typical of the era.
National Commission of "Solidarity" Trade Union collects, develops, stores, and publishes archival materials of the Independent Self-governing Labour Union "Solidarity”, primarily from the 1976-1990 period. The Archives are located at the National Commission of "Solidarity" head office and serve the purpose of documenting the social phenomenon of democratic opposition in Poland, in particular in the 1980s. Apart from documents it holds audio and video recordings, photographs, and other items. The Archives continuously add and digitise new, both private and institutional, collections from various parts of Poland.
The collection of “suppressed literature“ is the result of an academic project that questioned the established canon of literary history in the GDR and aims to morally rehabilitate the authors of this suppressed literature. The archive is held by the Federal Foundation for the Reappraisal of the SED Dictatorship.
The Weeks of Christian Culture and the Artists’ Priesthood were the very important cultural initiatives of the Polish Catholic Church, organised since the 1970s. They were the first nation-wide platform for artists of various professions, who were given a chance to speak freely and to show their works to the society – regardless of their beliefs. The participants had the opportunity to interact with independent culture, prohibited or absent from the official circulation. The collection includes both the documents on the initiatives’ history and the works of art created by its participants.